Bands that kick ass
The Sex Pistols
Home
Message board
Senses Fail
H2o
Minor Threat
Hawthorne Heights
The Used
TAKING BACK SUNDAY
Thursday
System of a down
Armor For Sleep
Atreyu
Avenged Sevenfold
Ash
Echobelly
Pulp
Garbage
Madball
My chemical romance
Rise Against
The Distillers
Slipknot
Rammstein
Rage agianst the machine
Papa Roach
The Prodigy
Pearl jam
The smashing pumpkins
Propaghandi
Dead kenndys
Kittie
Dicatators
The Stranglers
Box car racer
Green Day
Wezzer
The offspring
Goldfinger
Black flag
Him
Misfits
Ramones
The Sex Pistols
Social Distortion
Iggy Pop
Pantera
Iron Maiden
Anthrax
The casualties
Sublime
The cure
R.E.M
Foo Figthers
Less than jake
Marylin Manson
Anti- Flag
Dead Milkmen
Punchline
Nirvanva
The smiths
Bad Religion
Rancid
Blink 182
Nofx
Mxpx
Sum 41
Afi
Good Charlotte
The killers
The buzzcocks
Stiff little fingers
The clash
Dropkick Murphys
Yellow card
Korn
Brand new
THRICE
SUGARCULT
About Inderjit
The Doors

The Sex Pistols


The Sex Pistols may have only been together for two years in the late '70s, but they changed the face of popular music. Through their raw, nihilistic singles and violent performances, the band revolutionized the idea of what rock & roll could be. In England, the group was considered dangerous to the very fabric of society and was banned across the country; in America, they didn't have the same impact, but countless bands in both countries were inspired by the sheer sonic force of their music, while countless others were inspired by their independent, do-it-yourself ethics. Even if they didn't release any singles by themselves, there was an implicit independence in the way they played their music and handled their career. The band gave birth to the massive independent music underground in England and America that would soon include bands that didn't have a direct musical connection to the Sex Pistols' initial three-minute blasts of rage, but couldn't have existed without those singles.

Guitarist Steve Jones and drummer Paul Cook were regulars at a boutique owned by their manager, Malcolm McLaren; bassist Glen Matlock worked at the store. Vocalist John Lydon, who would later perform under the name Johnny Rotten, met the rest of the group at the shop and was asked to join the band. While the band played simple rock & roll loudly and abrasively, Rotten arrogantly sang of anarchy, abortion, violence, fascism, and apathy; without Rotten, the band wouldn't have been threatening to England's government -- he provided the band's conceptual direction, calculated to be as confrontational and threatening as possible. The publicity caused by their caustic first single "Anarchy in the U.K." caused the band to be dropped by their record label, EMI. Matlock was fired before their next single "God Save the Queen," which was released on Virgin; it was banned by the BBC. Matlock's replacement was Sid Vicious, a tough street kid who, unlike the rest of the band, couldn't play his instrument.

After releasing one album in 1977, the band headed over to the U.S. for a tour in January of 1978; it lasted 14 days. Rotten left the band after their show at San Francisco's Winterland Ballroom on January 14, heading back to New York; he would form Public Image Limited later that year. McLaren tried to continue the band but Cook and Jones soon turned against him. In the two decades following the Sex Pistols' implosion, an endless stream of outtakes, demos, repackagings, and live shows were released on a variety of labels, which only helped their cult grow.

In 1996, to celebrate their impending twentieth anniversary, the Sex Pistols reunited, with original bassist Glen Matlock taking the place of the deceased Sid Vicious. The band embarked on an international tour in June of 1996, releasing the Filthy Lucre Live album the following month. Four years later, Julien Temple (who helmed the band's first movie, The Great Rock & Roll Swindle) directed the documentary film The Filth & the Fury

Enter supporting content here